Download Fresh Orange Fonts Family From Lettersams

Fresh Orange is a type of font that presents a unique style for every design project such as cartoons, comics, poster designs, and so on.

Fresh Orange has two styles: regular and extrude, which will create a great layered look when combined.

[pknsyconpg] Download The Stacy Fonts Family From BlackLotus

Download Now Server 1 Download Now Server 3 Download Now Server 2 The Stacy is a retro script inspired font. This font has a variety of unique alternates and also has 2 styles, namely regular standard and italic. The Stacy is perfect for a wide variety of projects, and can be easily combined with a wide variety of colors. The Stacy has a bold character and soft nuances that will make a striking impression on everyone who sees it. Download The Stacy Fonts Family From BlackLotus

efyjkivmsz hzhvciqapv Download FS Ostro Fonts Family From Fontsmith

Download FS Ostro Fonts Family From Fontsmith FS Ostro is a cosmopolitan typeface. Named after a southerly wind that blows over the Mediterranean Sea, FS Ostro breathes warmth into letterforms with their roots in colder, stark Modern typefaces. FS Ostro draws inspiration from a wide range of sources such as the 19th century British Scotch Roman designs, Italian modern style typefaces and highly contrasted display Spanish examples. Its text version offers a consistent rhythm and robust texture that is easy on the eye. This elegant, cosmopolitan typeface is characterised by its thoughtfully modulated contrasts between thick and thin strokes, sharp angles, and sophisticated curves. The letterforms are confident and fluid, creating an overall sense of refinement and modernity. One for the discerning, well-travelled reader. Download FS Ostro Fonts Family From Fontsmith Download Now View Gallery

Download Schism Three Font Family From Alias

Download Now Server 1 Download Now Server 3 Download Now Server 2 Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a sl...

Eleanor Voronova

Search This Blog