cuzijkrvec diwtssevxj Download Nagietha Fonts Family From Arterfak Project

Download Nagietha Fonts Family From Arterfak Project

Nagietha is a type of handwritten font with a dynamic & natural flow. This font is designed with original handwriting and gives it a personal touch. Carefully digitized by keeping the rough line still looks natural, romantic and personal.

You can combine this font with many font styles such as serif, san-serif, oblique, italic, slab and etc. This font is specially made for personal branding but also works well for many applications. Perfect for logotype, labels, cosmetics, packaging, watermarks, quotes, apparel design, signature template, wedding invitation, food menu, doodle or any advertising needs.

Nagietha is PUA Encoded, that allows you to access all of the alternates characters without any special software. You can simply access them by using Font Book (Mac) and Character Map (Win).

TTF & OTF Format in a zip file featured :

Uppercase
Lowercase
Numbers & symbols
Accents
Stylistic alternates
Ligatures
Swashes.

Thank you for watching and stay safe everyone!

Download Nagietha Fonts Family From Arterfak ProjectDownload NowView Gallery

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Download Now Server 1 Download Now Server 3 Download Now Server 2 Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a sl...

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